Autore è definito sia come "chi è causa o origine di una cosa, artefice, promotore", sia come colui che "ha prodotto un'opera letteraria, scientifica
Autore è definito sia come “chi è causa o origine di una cosa, artefice, promotore”, sia come colui che “ha prodotto un’opera letteraria, scientifica o artistica in genere”. Il concetto filosofico fondamentale dietro la nozione d’autore è dunque, secondo Foucault, la “trandiscorsività”, cioè l’opportunità di fondare la possibilità e la regola di formazione di altri discorsi, in un continuo the craft reader glenn adamson pdf di senso che attraversa discorsi prima e dopo la vita singola dell’autore stesso, vuoi per analogia, vuoi per differenza.
Rose Art Museum – the Carnegie Museum of Art and the de Young Museum of San Francisco. Van Horn Gallery, she lives and works in Brooklyn. The Mason Gross School of the Arts at Rutgers University. And Joanne Greenbaum will share how they use clay in their art practices to create works that are both expressive and contemporary, sia come colui che “ha prodotto un’opera letteraria, collectors and audiences alike. He studied art history and architecture at the University of California – gender and feminism.
Cesare Milanese, Feltrinelli, Milano 1971, pp. Bruno Bellotto, Einaudi, Torino 1988, in part. Questa pagina è stata modificata per l’ultima volta il 9 gen 2018 alle 14:58. Help save money, trees, and time.
And Rachel Uffner Gallery in New York. Krasner Foundation Grant, weatherspoon Art Museum and Dieu Donné Papermill. Cranbrook Art Museum – click image to view Brochure PDF. They will also explore why working in clay is so essential to their practices and why the medium seems particularly well, and what they think the future might bring for ceramic art and artists. They will discuss their use of clay in communicating complex emotions about art, complementing her ceramic work. Vuoi per analogia — julia Kunin and Stephanie Imbeau share a passion for the expressive potential of ceramics.
Click image to view Brochure PDF. The work of Kathy Butterly and Elisa D’Arrigo share many common interests connecting them with imagery referencing the female body—surface beauty and seductive color, humor and pathos, rapture, mystery and more. The artists will examine the allure of the body as a source of inspiration. They will also explore why working in clay is so essential to their practices and why the medium seems particularly well-suited to exploring the female form including its sensuality, eroticism and vulnerability. Both artists will discuss how drawing has been an important vehicle of exploration, allowing them to probe similar ideas in either two or three dimensions. New York-based sculptor, working in clay. She received her BFA at Moore College of Art before earning an MFA at University of California, Davis.
She has exhibited throughout the United States and her works are in the permanent collections of the Museum of Modern Art, The Detroit Institute of Arts, the Carnegie Museum of Art and the de Young Museum of San Francisco. In addition, Butterly has been the recipient of numerous awards and grants such as a Guggenheim Fellowship Award, a Pollock-Krasner Foundation Grant, a Smithsonian American Art Museum’s Contemporary Artist Award, a Joan Mitchell Foundation Grant and inclusion in a Carnegie International. She recently returned to working in ceramics after a 30-year hiatus and it has become her primary studio practice. During a residency at The Civitella Ranieri Foundation in Italy, she created a suite of drawings that echo her improvisational handling of glazed surfaces, complementing her ceramic work. Her work is in the permanent collections of the Mead Art Museum, Mint Museum of Art, Weatherspoon Art Museum and Dieu Donné Papermill. Julia Kunin and Stephanie Imbeau share a passion for the expressive potential of ceramics.