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Four endings were written, with two filmed. Picard steps in to help in the peace ceremony and later gives Kamala away at her wedding. With the Ferengi secured, it is revealed that she is an empathic metamorph who can sense what males around her desire and react appropriately. She was being brought as an arranged marriage to the Valtian representative. Briam tells Kamala to stay in her quarters, but Captain Picard allows her to travel throughout the ship, with the unaffected Lt. This results in a fight nearly breaking out in Ten Forward, when Kamala begins to interact with several miners.
The Ferengi seek to bribe Briam to turn Kamala over to them, but he rejects their offer. As he leaves, they attack him, causing him to fall, hit his head, and lose consciousness. Briam is unable to participate in the ceremony. Kamala helps Picard to take on Briam’s role, and the two become close. He seeks to resist her abilities and tells her to be herself, and she explains that the woman he wants her to be is who she actually is.
Kamala explains that he has changed her for the better, and will continue in her duty for her people to marry Alrik. At the wedding ceremony, Picard escorts Kamala down the aisle and watches as she marries another. When asked how he resisted Kamala, the expression on Picard’s face reveals how much of a struggle it has been and how much he feels he has lost. A great deal of edits were made to the script by a number of staff members, and Piller felt that it was a difficult one due to the subject matter. As Piller explained to Echevarria in a memo, he felt that Kamala had to be a well-rounded character which would be loved by the viewer in order for the episode to work. This was the only time during Piller’s tenure as executive producer that a writer chose to be credited under a pseudonym.
Two of the scenes seen in “The Perfect Mate” built upon references in earlier episodes. In “The Perfect Mate”, he relates that these were only briefly taken because his mother wanted him to. Four endings were written for the episode, with two filmed. Piller preferred a “trick ending” in which Picard daydreamed of objecting to the wedding, but ultimately with Kamala rejecting both him and Alrik having been enlightened by Picard’s influence.
A headshot of a Caucasian woman with brown hair. Famke Janssen had worked as a model before appearing in “The Perfect Mate”. Two days after auditioning for the role of Kamala, she was on set filming the episode. She later described how this did not give a great deal of time to prepare for the role, and that new script pages would be delivered on a daily basis through the seven day shoot which she found difficult due to her lack of fluency in English at the time. However, she said the cast were friendly and described them as a “family”. Regarding the make-up, she said that on the first day they created a stencil through which they applied the spots on the following six days.
Janssen said that Kamala was “very intelligent and educated”. Berman described Janssen as “about as beautiful as any woman any of us have ever seen and she gave a delightful performance”. Kamala’s makeup suggested as a replacement. She found working with Stewart easy when they were reunited, because of their previous work on “The Perfect Mate”. He called “The Perfect Mate” the exemplification of the “depiction of woman as a passive reflection of a male partner”. Kuwait, a country which limits rights for women. He said that the influence of Picard caused Kamala to abandon any potential sense of happiness and replace it with an increased sense of self-awareness and remove the ability for her to legitimately love Arik.
This means that it was watched by 10. 8 percent of all households watching television during its timeslot. This was the lowest first run episode of the season. 2013, praised the chemistry between Stewart and Janssen but called it “a terrible episode, an enormous setback in terms of how Next Gen presents women in the 24th century, and the fact that I appreciate several of the performances doesn’t mean I don’t wish it had never been produced. She questioned that if Kamala’s gender was switched about whether the arguments presented in the episode would have remained, and felt it was a missed opportunity to tackle social issues. 2012, giving it a score of 2 out of 10, and said that when he first watched it, the episode had left him “seething”. He explained that he would “expect a storyline rooted in tiresomely traditional gender roles from a show airing in the late 1960s.
Not so much the early 1990s. He said that Janssen was “flat”, and did not have any chemistry with Stewart. However, other reviewers received the episode more positively. He called the Ferengi “as awful as ever”, but otherwise praised the episode. He said that Janssen was one of the reasons why it worked, with the evolution of Kamala through “The Perfect Mate” showing “a sense of someone coming into their own as a sexually aware, potentially powerful individual. Handlen compared the situation to the “Elaan of Troyius”, and found the imprinting of Kamala on Picard an unexpected twist.